Cut and layered Oracal high performance vinyl
Cut and layered high performance vinyl
Custom post and panel system featuring enclosed message board from Howard Industries. Lettering is 3M reflective film.
Cut and layered vinyl with digital print done on Gerber Edge
Lettering and graphics are 3M reflective films, with Gerber Edge printed gradient.
Cut vinyl with digital print done on Gerber Edge
Cut and layered vinyl with Real Gold 22K gold leaf vinyl
Cut vinyl graphics done with Oracal high performance and fluorescent vinyl film
Cut vinyl with digital print done on Gerber Edge
Cut vinyl with digital print done on Gerber Edge and an outline of Real Gold 22K gold leaf vinyl
Cut vinyl with digital print done on Gerber Edge
Cut vinyl with digital print done on Gerber Edge
Vinyl lettering with hand-painted eye graphic on 48-by-48-in. panel of 10mm aluminum composite material with an 18-by-48-in. lower panel; background is blended 1 Shot enamels.
3M reflective films on a 42-by-42-in. panel of 10mm aluminum composite material finished with automotive basecoat/clear coat finish
Digital print done on Gerber Edge with cut vinyl and RealGold 22k gold leaf vinyl
Cut vinyl and digital print done on Gerber Edge
Cut vinyl combined with Gerber Edge digital printing on the small logos
Full wrap with 3M 1080 Hot Rod Red film with burgundy and black cut vinyl accents. All lettering is Edge printed on 3M 680 CR Reflective.
Cheryl Dickson
Erik Dickson

Erik Dickson

By SignCraft Magazine

Posted on Thursday, February 28th, 2019

Shop name:
Erik Dickson

Shop size: 2500 sq. ft.

Staff: Erik and Cheryl Dickson

Age: 56

Graphics equipment:
Gerber 15- and 30-in. plotters
Gerber Edge
Gerber Omega software

Online:
www.erikdesigns.com
Erik Dickson’s roots in the sign industry go back to SignCraft’s early days. Trained as a signpainter, he had added computers and a vinyl cutter—with 16 fonts!—when he and Cheryl, his wife, were first featured in the May/June 1989 issue. Now celebrating 35 years of Erik Designs, Erik continues to turn out his mix of vehicle lettering and signs in his hometown.

A world of change: The first issue of SignCraft that I got had Emmett Morelli, the Las Vegas showcard writer, on the cover. That was about 1980. How the world has changed since then! I went on to Butera School of Art and learned how to hand letter. Those are my roots, but I had to learn and adapt as computers became more involved with the industry.

Today, my enthusiasm for the work is as high as it’s ever been. I think we’re turning out the best work ever. The medium is different, but we’re still creative. I’m glad I got to see the business before computers, but we have to remember that there was also a sign business before we got started. The folks before us had to mix their own paint and got to hand letter showcards.

We’re still dealing with our customers’ needs within their budget, but still keeping design as the primary factor. For me design and quality are the two essential parts of this business. Those are the things you can use to set your company apart.

I’ve also discovered that while technology has pushed our industry in one direction, there’s a new interest in the world of hand lettering and sign painting—especially among young people. They’re fascinated by the old-school techniques and the look of hand-lettered signs.

Outsourcing: A lot of my color printing is of a smaller physical size, so the Gerber Edge works great for that. I don’t wrap semi trailers or big box trucks. In western Maine there’s just not much of that work to be done. But there are a lot of logging trucks and tow trucks that people want nice graphics on. I also do a lot of work for an ambulance dealer. I outsource the larger digital printing to Signs365. The quality and turnaround time is great. They stock a lot of different media, too, so I can offer just about everything. They’re really easy to work with, and you know you’re giving your customer a quality product.

Design makes the difference: For me, it all starts and ends with design. That’s what you’re really selling to your customer: Your ability to solve their visual problem with an effective design. I won’t shortchange that. There are times when I could be more productive if I spent less time on design, but that’s what people see, so it’s the wrong place to cut corners.

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