Digital print on window; fonts are from LetterheadFonts. com. “I use 3M 180C Controltac media for all my digital prints,” says Mark.
Digital print on window, font is from LetterheadFonts.com
Sandblasted Precision Board HDU, letters finished with 23K gold
Digital print on 3M 180C Controltac media
Digital print on window
Digital print
Routed, carved Precision Board high density urethane board, with 23K gold leaf on the letters and palladium leaf on the diamond
“I’ve done several EPS foam monuments like these,” says Mark. “They’re easy to do and they look great. I get them from Custom Foam Fabricators. They have quite a few standard models, and you can customize them, too. They did the faux stone base on the Flex-Chem sign...”
“Hope Church already had a brick base, so I mounted the sign on that.”
A few examples of Mark’s fine art in the InArt Gallery in Santa Fe, New Mexico.
Digital print
Digital print; font is from Havana from LetterheadFonts.com.
Handcrafted HDU cutout elements on aluminum composite material [ACM] panel. Carved shells are finished with 23K gold leaf. The digital illustration was done by Joe Diaz of Diaz Sign Art then printed and mounted on ACM and cut to shape.

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Sandblasted and hand carved Precision Board high density urethane board panel; letters finished with 23K gold leaf
Matte black and tan vinyl film
Gemini aluminum letters on routed Precision Board high density urethane board panel
Half-inch acrylic letters for the shop lobby wall, cut by Gemini.
Mark Yearwood

Mark Yearwood

By SignCraft Magazine

Posted on Thursday, February 28th, 2019

Shop name: Yearwood Design Works

Shop size: 1700 sq. ft.

Age: 55

Graphics equipment:
Graphtec and Roland cutters
FlexiSign sign making software
Photoshop
Illustrator

Online:
www.yearwooddesignworks.com
www.markyearwood.com
If you were getting SignCraft thirty years ago, your January/February 1988 issue would have included an article on a young Oklahoman with a busy commercial sign shop. Since then, Mark’s signs and pinstriping have appeared in SignCraft many times. Along with signs, he has also built a reputation for his fine art. He recently finished building a new shop and is busy doing both signs and art.

Mixing fine art and signs: Signs and fine art have always worked well together for me. Right now I’m back to doing more sign work again. I never really quit, but I did slow down quite a bit when I was doing more artwork. The sign shop got put on the back burner but I was still doing logos and a few trucks and signs.

In 2017, I sold my place in Weatherford, which was west of Oklahoma City, and moved to Shawnee. It’s east of Oklahoma City but closer to the metro area. I just finished building a new building for my shop here. It’s a 4000-sq.-ft. metal building, and I took about 1700 ft. in the front for myself. The rest I plan to lease out.

The market: Weatherford was a nice little college town of about 12,000. Shawnee has close to 40,000 that’s just 25 minutes from Oklahoma City. I’ve reconnected with some of the builders in the city that I used to do work for. I’ve also picked up a lot of local work, and I still do a lot of work for customers back in Weatherford.

Selling design: It’s hard to educate customers on the value of design, but as you get more work out there some of them start to see the difference. Many are looking for cheap-and-fast, but I’m picking up more customers who want something better.

I use Photoshop, Illustrator and FlexiSign for most of my design work. That’s been a good combination for me. I also do a lot of logos for small businesses, and I enjoy that work.

Outsourcing: I outsource some of the sign production. It’s just more practical for me because I work alone, and that leaves me free to do my art and the sign design work. I still fabricate the small signs and do the vehicle graphics, but I leave the digital printing and large sign fabrication to others.

I just installed a foam monument sign the other day that Custom Foam Fabricators made for me. Those go really easy. I set a couple of posts then lifted the sign up by myself and dropped it into position. They did a faux stone base on this one—carved stone and airbrushed it. It looks really nice.

I just had Gemini cut my logo out for the shop office wall. It was cut from half-inch acrylic. I do a lot of work with them—metal letters and cut-out acrylic work. I also outsource some awnings. Working with these other companies lets me do a lot more work, and lets me offer more types of work as well. They do all the heavy lifting, and I can focus on design.

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